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Seyhoun Art Gallery Nov 2015 Eilya Tahamtani Placebo 03
Tehran

ایلیا تهمتنی در سالهایی که گذشت، همواره به ناسازگاری قدرت با ارزش های انسانی تاکید میکرد.

سعی داشت زیبایی، با شدت و خشونت مورد حمله قرار گیرد تا گرایش های ضد زیباشناسانه ی نسل خود را بر ملا کند.

طی این سال ها، از طریق تصویرسازی بر کاغذ حرف هایش را میزد: پوستر میساخت، کاریکاتور میکشید، طرح میزد...

امسال و در این نمایش از طریق همان تخیّل _ همچون یک شَمَن_ با اعصار رابطه میگیرد تا در روابطی جدید به آرمانهای خود پاسخ دهد: قصه های جانوران (Fable) و جانوری که به مرور انسان میشود، دغدغه ای است تا او همواره ما را به خودمان نشان دهد!

"ده فرمان" روی ده بوم تلاشی ست تا با خطوط کم پیدای ناشی از عمل نیروی جاذبه، و بی نظمی ی فوق العاده ی جانداران و هم زمان سامان بخشی به تعادل بوم توسط آینه های گرد؛ یک Ring و حلقه ی انسانی بسازد.

همچنان که نزول ده فرمان "نقض میثاق الهی از سوی قوم بنی اسرائیل" را ابدی کرد، ده فرمان او در بسترسازی هایی از زمین، دریا و آسمان، هستی شناختی ی نسلی را آشکار میکند که تلقی اش از "آدم" ، یادآوری ی نزاع هابیل و قابیل تا جنگ خاورمیانه بوده است.

او در افشای خصوصیات درونی مردمانش بسیار بی رحم است. همیشه همان را تصویر می کند که میبیند.

کلان روایت های "ده فرمان" به خرده روایت های معاصر اجتماع تبدیل میشود تا نقاش فرم را، با محتوا پر کند.

ایلیا تهمتنی در این سالها بر یک نگره ی ارسطویی تاکید دارد: انسان، یک حیوان اجتماعی است. به آینه های بوم های او دقت کنید.                                                                                                       داریوش کیارس | آبان 1394

Eilya Tahamtani, has been emphasizing on incompatibility of power and human morals for the past years.

He has tried to reveal his generation’s anti-aesthetic trends by harshly attacking the concept of beauty.

 All these years he was expressing his words by illustrating on paper, making posters, drawing caricatures, designing and etc.

This year and in this exhibition like a ,Shaman, communicates to eras to reach his ideals in new kinds of relationships. Fables and the Animal evolves to a human is his obsession to illustrates us to us.

The “ten Commandments” on ten canvases, are trying to make a human ring, they are made by hardly visible lines caused by the gravity and great chaos of the creatures, and at the same time it provides the balance by using round mirrors on the canvases.

Just like the revelation of “ten Commandments “that proved the eternal “breach of promises by Isaiah“, Eilya’s “ten Commandments” that is provided in some natural contexts such as the earth, sea, the sky, etc., is revealing the ontology of a generation that their perception of “human” is simply remembering the wars from Cain and Abel fight to the Middle East battles.

He is so cruel when he is uncovering the characteristic of his people; he draws the exact realities that he observes.

When the artist is going to fill the form with concepts, macro-narrations of the “ten Commandments“will become into the micro-narrations of our contemporary society.

Eilya Tahamtani has focuses on a kind of Aristotelian theory: Human being is a social animal. Just take a closer look at the mirrors in his works.

Dariush Kiaras

نمایشگاه آثار " ایلیا تهمتنی " با عنوان " پلسیبو " آذر 1394 گالری سیحون

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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